Five Hundred Days Of Summer Analysis Film Studies Essay

Five Hundred days Of pass Analysis pack Studies Essay(500) Days of summer conviction (2009) is a productive approach to the sentimentalistist take afterdy genre. An unidentified male fabricatorwarns us early on that This is a story of boy meets girl. This is not a crawl in story. The submit is a story ab pop slam magic spell it may or may not end the counseling we expect, its a more real, complicated, and a believable beloved story then any number of amative comedies that we been exposed to. Most motion pictures usually tell us that true love is possible with whom ever so we choose if nevertheless we exigency it enough. Hollywood likes to distort frankness and put most romantic ent feements into a happy ending with a cute bow on it, this movie brings us plunk for to the ingenuousness. The motion-picture show deceives the viewers to commit that the narrative will be from both protagonists perspectives tomcat and summertime. In fact, it is told through its main p rotagonist gobblers (Joseph Gordon-Levitt) perspective. The boy, tom Hansen of Margate, New jersey grew up believing that hed never truly be happy until the daylight he met the maven. His belief originated from early exposure to sad British protoactinium music and a total misinterpretation of the movie The Graduate. The girl, spend Finn (Zooey Deschanel) of Shinnecock, lolly did not share this belief since the collapse of her parents marriage. In referring to the main designation the five hundred days is slightly how long Toms life is played out with a girl named Summer. This movie doesnt play out chronologically, but kindajumps back and forth through time using sporty back (Giannetti gain vigor 2008, p.48). In depicting the relationships struggles faced by Tom , (500) Days of Summer summariseresses the main theme dealing with those small but authoritative atomic number 42s between ii people and taking a risk at love when uncertainty remains. Moments that can make whatsoeverone wonder if the opposite person was feeling the same thing or if it was only an illusion. This is a different kind of love story but, not told in a conventional way about how our romantic preconceptions can cloud relationships and onerous to understand the truth and reputation of love.This engage is a work of fiction. It has a formalist narrative structure told out of chronological inn and relies on flash backs rundown flash forwards with creativity in nearly e rattling out understand. The Director frequently plays around with ideas from the visual to the aural. The movie at number 1 roles a split test look at the main characters puerility growth before they cross paths somewhere in time in the future at a greeting card company. The use of thread made you want to leave the two main characters live merrily ever after. The submit starts on day (290) with urgency using non-diegetic (Giannetti leach 2008, p.212) music through cinematic images and sequences of a girl riding on a bike through the dark streets of LA arriving at a gated apartment to a visually heartbroken, plate smashing Tom. Tom retells his child (Rachel) and friends about what has gone awry with his relationship with Summer. The clichs of the younger feel it all smart sister, giving him vodka to loosen up in order to open up and retell his story about Summer works. He starts from his recollection of the beginning and what happened. A montage of happy moments between Summer and Tom laughing, kissing, holding hands, hugging and buying music together. Summer suggests they should go over seeing each separate in a diner ground which is a clich moment and this scene visually reminded me of when Harry met Sally. The mise en scene of his apartment reflects an educated, middle class, cultured person who enjoys reading and music. An other clich moment is reference to Sid and Nancy Sid Vicious stabbed Nancy seven times with a kitchen knife. They have some disagreements but he h ardly thinks he is Sid Vicious. She replies No. Im Sid. Summer says the rowing that is death to all guys Youre still my best friend We visually see Tom moving in slow motion after Summer says the word friend It is like the bottom drops out emotionally for Tom. This movie is filled with more clichs like theres plenty of other weight in the sea or a recurring theme in many romances I dont want to get over her. I want to get her back. The unseen narrator states There are only two kinds of people in the public. There are women and there are men. He is reminding us of the differences between the genders. There are black and albumin images of a scene of blastoffs or descriptive play by play on Summer Finn.The director tells the story using his stylistic choices and including gimmicks from sketchbook-like transitions to an impromptu spring number and the Bergman inspired black and white film montage. A prodigious visual scene is shown, after Tom has sex for the first time with Summe r. This scene represents his feelings of being in love, people smiling, life is wonderful, Tom checks out his reflection in a car window at the anthesis of his happiness and sees Hans Solo wink at him. The scene continues with the fountain exploding while the music is diegetic, the song by Hall Oates ballad You Make My Dreams ejaculate True is heard and ending with a dance number redolent of Ferris Buellers day off. The music selections are inspiring, reflective and the slow motion bits add to the nostalgic mood. The pure range of ideas keeps audiences not only eagerly interested in what is to come next but for the most part benefits the plotline. The creative vision gives the ordinary story a life of its own with very real feelings. Many viewers, who have experienced an important relationship, will be surprised in at least one unique way the film tackles its themes. (500) Days of Summer left a uplifting content about putting yourself out there and taking the risks and the hards hips that go with them is the only way to find happiness.A defining moment scene in (500) Days of Summer occurs day (259) when Tom defends his relationship with Summer at a bar and hits the stranger. Tom and Summer (alternating close-up shots between two characters) come back to her apartment where they break-up, the scene ends with a high angle shot of Tom running down a spiraling staircase. His life seems to be spiraling out of control. Summer eventually comes back to him. We see court of justice to Annie Hall in an art gallery. There is a black and white neo-realist or film noir of suffering in the shot of Tom soothe himself at a movie theatre. Day (154) The officially in love with Summer scene in extreme close-ups of Summers body parts interview shes like the wind by Patrick Swayze and the contrary scene I hatred Summer, same shots as the love ones but dialogue is expresses the distaste for everything he liked about her teeth, smile, hair panache, knees and her birth mark, not to mention he now hates the song shes like the wind by Patrick Swayze.The greatest use of imagery or editing is the split screen shot of expectations and reality a fantastic use of parallel editing (Giannetti Leach 2008, p.186) plus the non-diegetic sound he runs down the spiraling staircase from high angle to low angle shot into the streets with a sketch drawing of his world fading away and he is standing alone. Day (450) Toms sister says she is not the one, your just remembering the good stuff next time you look back at the relationship you should give it a better look. Tom is inspired to move forward after the end of his relationship with Summer and starts drawing again. We see close-up sketching of linear buildings drawn on a chalkboard in his apartment, next a sketch pad and jarring suits in fast motion. There are a lot of fast pace, movement scenes of the world around him. Next, we switch to a parallel/split screen scene with Tom on a bus expressionless and the other pa rallel screen of Summer smiling in the process of getting married. Another important scene is where Tom has closure with Summer at his favourite park bench scene, this is a mass medium two shot. Summer reveals she was never sure of love with Tom. Tom realizes love does not ever make sense.The final scene in (500) Days of Summer is complete by answering the question fate does exist and there is the one or soul mate out there and you will never know when it happens. The final scene first shows a shot from a birds eye view (Giannetti Leach 2008, p.72) inside a building with the narrator remarking most days of the year are unremarkable they begin and they end. Tom sits on a chair in personal proxemic pattern (Giannetti Leach 2008, p.126) from a female interviewing for the same job. They both reply to each other I hope you dont get the job in a medium shot. They then share a laugh. Tom appears to have a manifestation coincidence or fate his pessimistic view is transformed upon clas h Autumn. Tom looks into the camera in a way to acknowledging us as an audience that he might be wrong and still believe in fate or the one.In conclusion, the energetic art style and architectural look at the scenery of Los Angeles adds to overall ambience of the environments and characters in each scene. The story telling is in one way conventional, about a boy meets girl love story. Tom (Joseph Gordon-Levitt) meets Summer (Zooey Deschanel), they impinge on in love, break up, maybe get back together, and then ends abruptly. The film is also unconventional in an indie sort of way. The storytelling is not chronological there are unexpected camera angles, clever editing, split screens, admixture of eclectic songs and combination of references throughout the film like The Graduate. Its a film that embraces love among the ruins of a modern society. (500) Days of Summer is about how our romantic preconceptions can alter our understanding of relationships and trying to understand the tr ue nature of love is not something we can truly define. This is not a love story. This is a story about love.